The way the horse performs transitions to the halt and from the halt tells us a lot about his training. Many horses and riders struggle with these transitions. Half halts often don’t go through in down transitions, so the horse inverts or curls up. The halt isn’t square, the horse is crooked, to name just some of the most common problems.
The swinging movement and energy connection that are the result of a horse working properly through the back create a feeling you will never forget. Choose exercises and arena patterns that encourage the horse to engage and flex his hind legs, and remember to use your seat in a dynamic way that supports the horse’s movement, so that he is able to lift his back, engage his hind legs, flex his hind legs, and push off again with them in a forward-upward direction.
What does it mean to ride from the inside leg to the outside rein? And how do I do that?
Inside leg to outside rein is an abbreviation for a relatively complex set of movement patterns that result in a very supple, balanced, straight, and agile horse. The job of the inside leg is to initiate the circle of aids by bringing the inside hind leg closer to the outside one as well as closer to the front legs. This results in a weight shift from the inside shoulder onto the outside pair of legs, which results in an expansion and stretch of the muscles on the outside of the horse’s bend, this in turn creates a contact with the outside rein, which is then able to connect back to the outside hind leg.
8 habits that will make you a successful rider. If you prioritize the items on this list, you and your horse will progress, slowly but surely. Whenever you feel lost or frustrated, return to this list, check if you have been implementing it or if you have become sloppy with some of these items. If you put one foot in front of the other, you will succeed step by step, even if progress sometimes seems to be painfully slow for all of us.
Not everything in riding is glamorous. Not everything is special, magical, and brilliant.
Much of the most important work we do, as riders, is work that is simple - even mundane - in its simplicity. But it is where the real treasures lie.
It is one thing to teach a horse a new concept, movement, or skill set. This is important work, too, but at first, it will come with many rough edges. When you introduce it to the horse, you get it in its crude, unpolished form. It is far from “finished” and the real work unfolds from there.
Energy is not an official part of the training pyramid. It’s not really a formal category of training, although teachers will sometimes ask students to ride a more energetic walk, trot, or canter. I suspect that when teachers tell the students to “ride more forward” they often mean “create more energy”, but the word “forward” tends to lead to more speed, rather than more energy or more power.
The closest thing in the official terminology is Schwung/Impulsion, but it’s not quite the same as energy.
In order for the horse and the rider to become the best versions of themselves and the best possible team they need to have a good relationship. The basis of this friendship between horse and rider is mutual trust, mutual respect, and effective communication. In all three areas, the burden is on the rider to prove herself to the horse, that she can be trusted, that she deserves respect, and she needs to learn to become a good communicator.
When you are working on your own, you can investigate certain questions together with the horse and let the horse show you how he wants to be ridden. Each horse is different, each situation is different, and the preferences of individual horses change over time, as they develop and move up the levels. That’s why you should investigate these questions again from time to time with your horse in order to be able to adapt your seat and aids to the horse’s changing and evolving needs.
The old masters considered the horse’s natural crookedness to be a major obstacle in developing balance, suppleness, collection, impulsion, and “obedience” (i.e. positive responsiveness to the aids). Put positively, functional straightness is the foundation of balance, suppleness, collection, impulsion, and “obedience”. Without straightness, the horse won’t get very far in his training. Unfortunately, overcoming crookedness is not a trivial matter. It requires constant attention, and if the rider doesn’t work on straightening her horse every day, his innate crookedness will gradually increase again.
In one of our courses, a member asked a question about crookedness. She wanted to know which exercises to ride on the hollow side and the stiffer side to combat the symptoms of crookedness. There is unfortunately not a simple, straightforward answer to this because crookedness leads to imbalance on several different levels, such as…
I’m sure you are all familiar with the concept of Straightness as one of the elements of the German FN Training Scale. Those of you who are rooted in the French tradition know it as one of Alexis L’Hotte’s three main training principles (Calm, Forward, Straight). You have probably also run into its opposite - crookedness - as a tricky and quite pervasive issue. But has anybody explained to you what straightness is and why it is important? Why should you spend your entire equestrian life correcting the horse’s natural crookedness, as Jacques d’Auvergne wrote? Can’t we just go out and have fun on our horse?
In modern dressage, the double bridle is often used as if both bits were designed identically. Most riders hold all four reins with the same tension. So the horse and rider don't get the benefit of the finesse of two bits that are designed differently and act very differently. The double bridle is not intended as a part of a costume. It is not there to get the head down. It is not there as brakes to stop your horse! In reality, the double bridle can bring a whole new dimension to the conversation with your horse.
For me, introducing the double bridle is almost like being slightly near-sighted and putting on glasses. With glasses, I can see a lot better. With a double bridle, you can feel a lot more details because you receive information through four reins and two different channels. And you can talk to the horse even more precisely than with just a snaffle.
Many riders struggle with a square halt for years. For those who are not familiar with the term, here is a brief definition: In a square halt, you should only see two legs when looking directly from the front, from behind, or from the side. The weight should be distributed evenly on all four legs at the lower levels. At the upper levels, there should be more weight on the haunches than on the front legs.
